Two thousand and eighteen onwards
Resonance with the materiality and geography of the site, the Mountain House becomes a part of its landscape.
To provide a sense of shelter without enclosure is all that is required here – a deft touch. A pronounced concrete roof canopy provides this and creates a central look out point. The surrounding landscape is made more manifest by the presence of this canopy – a dialogue of a delicate balancing act between nature and building.
Within the embrace of the slopes, the level on which the house is sited suggests it is neither elevated nor buried.
The house is nestled in the landscape but not enveloped by it.
Conceived as a robust and tactile structure, the house has a sense of weightiness. The exposed aggregate of the concrete surfaces is a beautiful reminder of the primal quality of materials - broken and fragmented stone pieces come together to from a whole again.
The house comprises three distinct sections with varying roof heights and lines depending on the use of space. They surround and straddle this special location on the site, but the embrace remains tender, allowing the mountain to continue its gentle slope towards the ocean.
In resonance with the materiality and geography of the site, the Mountain House becomes part of its landscape.
View from mountain slopes through the house
View through house up towards the mountain
View from South-West and the approach to the house
View from North-West
Chris van Niekerk, Ruben Rossouw, Gordon Hubbard
Inovic Structural Design
Chris van Niekerk